I’ve been remiss in not following up on our end of the semester learning activities and experiences from our extended inquiry project with Language Arts teacher Sarah Rust. If you haven’t had a chance to read my series of posts about our collaborative efforts or would like a refresher, you can catch up with all of the posts here. In my last series post, I discussed different types of formative assessment we were using to evaluate student progress, processes, and products, including their research design proposals. I’d like to share with you briefly some of the structures, resources, and activities we used over the subsequent three weeks (excluding our Thanksgiving break) to help our students compose their multigenre projects.
As students submitted their research design proposals, both Sarah and I provided them written and verbal feedback through 1:1 conferences as well as the individualized feedback we crafted using mail merge and Word docs. These processes took approximately five days of class; students that were not meeting with us were either moving forward with additional research or starting to craft elements of their projects. One of the tools we gave students to help them manage and organize all the pieces of their projects was this project planner/checklist. I have found over the years that checklists, while seemingly simple, are powerful tools to help students stay organized and on track.
We also gave students concrete examples of finished project (both virtual and Word docs) templates to look at as well as hard/print copies my past students had created; students could browse the physical copies that we kept in folders in the library workspace. In addition, we had virtual and hard copy examples of specific multigenre products created by my previous students as well as examples we found through the web. We also built in days to do small group work on skills and project elements; some of these included:
Guided instruction for students who wanted to publish their work as a WordPress site. We showed students how to register for a free account, how to set up pages for each project element, how to establish a static homepage, and how to craft a customized menu so that the navigation reflected the order of the project pages we had established in the guidelines. We also provided reinforcement for students with video tutorials that we made and published on the project LibGuide. This instruction was probably one of the more intensive days since establishing the project website structure was essential early on for the students and helping them feel comfortable with multiple new skills at once. To their credit, both classes did a fantastic job following our step by step guided instruction and getting their project sites set up. Subsequently, they caught on to skills like editing pages and adding multimedia content very quickly—I was impressed by how they took initiative to self-help and to then show their peers a skill they had taught themselves.
1:1 help for students who chose to publish their work as a Word document (most students published virtually with WordPress, and we had one student who published his project as a Google Doc). Again, we provided reinforcement with customized video tutorials we published to the project guide.
1:1 and small group conferencing with students who wanted feedback on project elements as they drafted.
Whole group instruction and discussion about how to craft the notes pages (please scroll toward the bottom of the page) since these elements are the ones I’ve found students have struggled with most in the past and to help our students have a clearer idea for our expectations in terms of content and parenthetical integration of sources.
Most students had mastered citation of sources using our EasyBib tools (including the awesome direct export of citations), but I was on standby to provide clarification or help students cite non-database sources.
We essentially had about 10-12 days of working class time for the projects; we were able to meet students at the point of need as Sarah and I served as “on-demand” help and shared our different areas of expertise in terms of content oriented questions and technical-related inquiries. As we neared the finish line, we showed students how to submit their project information via a Google form; students who published via Word emailed their projects to me, and I uploaded their projects as PDFs to SlideShare. As students submitted their work via the Google form and email, I then added their content to our multigenre project blog (hosted at WordPress) and organized projects by period.
In my next post, I’ll share how I used Google Sheets and a nifty mail merge app to record student project notes quickly and seamlessly assessment notes with Sarah Rust. New posts are also coming soon featuring student interviews about their projects as well as some final reflections from Sarah and me on our inquiry adventures with our students! Finally, Jennifer Lund and I will be doing planning period professional development next week for our faculty and hopefully finding new partners in different subject areas to pilot different interpretations of multigenre projects.
For the last two weeks, our students have been immersed in investigating information and constructing new understandings as they have been composing their research design proposals, revising sections of their proposals, and doing additional research after focusing and narrowing their topics and research questions. As they have gone back and forth in refining their topics and questions and doing the subsequent additional research, we’ve seen our students move back and forth between confusion/doubt/uncertainty/discomfort and clarity. Most students are not used to doing this sort of deep dive with a topic, making their own choices about the topic and research questions, articulating how they demonstrating growth in their learning, or selecting their learning products; consequently, the messiness of choice and ownership of their projects has been a new experience (and uncomfortable to varying extents) for them. Sarah Rust and I have also experienced a spectrum of emotions in this inquiry process as well; we know our students will grow from these experiences yet we too feel some of that same uncertainty and frustration as our students when they wobble or stall in spite of our efforts to scaffold and support with individualized feedback, resources, and reflective questioning. Like our colleagues Heather, Meg, Marci, and Cathy, we provide them strategies and feedback that will propel them forward and give them the tools to self-help, but as we have told them, we cannot make the decisions for them or give them the answers. We stay calm and reiterate that we are focused on how and what they are learning, not grades—of course, this discourse is a departure from the narrative they have heard their entire school lives in our test-driven culture.
The individualized and fluid nature of working with 50+ students who are all doing different topics is also a newer experience for us and definitely for the students. Over the last two weeks, any given day has been a potpourri of joy, exasperation, delight, and doubt as students have drafted their research design proposals for their multigenre projects. This kind of work is where the collaborative partnership Sarah and I have is critical because you have an instructional partner to be responsive to these kinds of learning experiences and individual student needs. Because we both bring different strengths to the table and can process what we are observing with student work together, we are much better positioned to truly help our students than if we were doing this in a solitary or prescriptive, rigid way.
After receiving the drafts of their proposals for their projects, Sarah and I have employed a variety of strategies to personalize the feedback for each student at their points of need. Here are some of the action steps we’ve tried:
Individualizing and Capturing Feedback Through Mail Merge and Databases
I created a database in Word of all of our students in 2nd and 3rd periods. Data fields I created included:
First name
Last name
Class Period
Comments About the Narrowed/Focused Topic
Multigenre Products Students Selected
Publishing Platform of Virtual or Paper (Word/PDF)
General Notes (comments about student self-selected learning targets, what they know about their topic at this point, what they want to learn, research questions, their working bibliographies, and search terms/strategies.
Next Steps–specific tasks and suggestions to help the students move forward. These action steps could also include requests for students to schedule 1:1 help or to participate in some of the small-group help sessions we set up in response to the patterns of thinking and gaps we saw in the proposals.
I went through each proposal and typed in my feedback for each student in the appropriate fields in the database document. I then used the Mail Merge wizard in Word to create a “form letter” that imported this feedback and printed out the feedback documents for each student on colored paper or in color. Once I printed completed feedback forms, I stapled them to the research design proposal draft and returned to the student as soon as possible for them so that they could move forward or make revisions. I also provided a copy to Sarah so that she could begin developing a list of needs to address and to prioritize which students needed her help and areas of expertise. The master database provides us an archived record of the formative assessment to use as we look at student growth; it is also easily accessible to reprint should a student lose his/her copy of the feedback form.
It did take quite a bit of time to methodically go through each proposal and to generate the personalized feedback. However, I so appreciate the opportunity to engage in this sort of assessment because it helps me get to know the students as learners. This work also improves my instruction because I can easily see patterns of understanding and confusion and helps me to be a more reflective and effective practitioner as well as instructional designer.
Conferencing/Coaching/Triage 1:1 and Small Group
Using this information as our starting point, Sarah and I have been meeting with students the last few days (late last week and all of this week)to discuss the feedback we’ve provided them ; we use the feedback forms as a strategic entry point for face to face conference/coaching conversation with students. We have been organizing our 1:1 meetings and small group sessions through a variety of mediums each day:
Students can sign up for specific individual help each day—we have used large post-it paper and our Verb dry erase boards as our parking lots for students to indicate they need assistance or have questions.
Students can sign up for small group help or indicate they want to join a future small group work session through our Verb dry erase boards. For example, after reviewing all the research design proposals, I realized I needed to do some small group instruction on additional search techniques with Boolean operators and additional instruction on mining Academic Search Complete.
For those who might be shy or reluctant to place themselves in one of these help request parking lots, we’ve also been sure to work through our class rosters and are checking in with each student so that we are sure to meet with EVERY student and “check up” on their progress, successes, questions, and worries.
Yesterday, Sarah called students up by the class roster whereas I started with my list of student requested help. Today we approached the scheduling of the 1:1 conferences by working through the class rosters and having students first check in with Sarah about some of their recent process work; students then moved to my table for to discuss the feedback they received from us on their research design proposals. We each set up a help area with our mobile tables and our green Hon rolling chairs so that we had comfortable spaces to talk to students and where they could spread out their work and/or where we could show them specific resources or skills on our laptops if they needed some concrete visualization or examples. Some conferences are brief while others are more extended, but typically, each meeting can last 3-10 minutes—it all depends on student need and how the conversation evolves in the conference. We also keep notepads, large lined sticky notes, and/or Google Docs available at the conference table to jot down notes from each meeting while students bring along their folders of their process work, drafts of their design proposals, and the individualized design proposal feedback form.
In just these first few days we’ve been meeting with students, it’s very apparent when students feel confident (and skills/processes/ideas they’re self-assured about as well) and where students feel fuzzy, unsure, and/or anxious. We’ve also observed that most of our students are not used to this level of accountability, and some seem a bit uncomfortable with it when you are asking them questions to nudge them to dig deeper or be more specific with details; we sense many are also not used to these types of conferences that puts the responsibility and decision making on them as students. We are framing this conference/coaching sessions from a stance of discussions to help them think through their choices, to clarify their own thinking/choices/next steps, and to move forward with their projects since we don’t want them to see the messiness and muckiness of inquiry as punitive. These sessions have also helped us identify those who might benefit from some of our upcoming small group mini-lessons but who may not have initially signed up for assistance. Last but not least, I believe these conferences convey to our students that each person matters and that we care about them and their topics.
Reflections
While we cannot do their work for them, we can give students every opportunity to get personal assistance in a low-key setting —we want them to know they cannot fall through the cracks or simply fly under our radars. While I’ve done this sort of work before, this is probably the biggest chunk of time I’ve had in a collaborative partnership for this level of assessment and 1:1 student conferencing. This approach requires us to be agile and responsive as each day is different and every student need varies. This kind of conferencing/coaching is time consuming and messy; while the prep for the small group work is pretty straightforward, the 1:1 help is definitely open-ended. I have been inspired and am improving my own conferencing skills with students by watching Sarah (who is a master at this process) and by my friend and fellow school librarian Heather Hersey. Her post about the importance of conferencing helped me to think about focusing on all aspects of their inquiry work and design proposals rather than just sources or their bibliographies; it also inspired my idea for using the mail merge form and database to capture feedback and use that as a starting point for the student conferences/coaching sessions.
Sarah and I have also been discussing how intense this kind of work is and how you have to be comfortable with making adjustments as needed to timelines and your plans in order to be responsive to the students. The processes are messy, yet this “mucking around in ideas” is the grist for the growth and critical thinking that happens as both we and our students problem solve, question, and revise our ideas and stances. Neither of us has any idea how someone would do this kind of process-driven, organic, fluid, and reflective work alone! We love that our combined talents help the students as well as each other; we also are appreciative of having someone else each day who can help you see things you might have missed or to think about a particular situation or challenge with fresh eyes. We are also excited we can model collaborative learning for our students—how often do they get to be in a learning environment where there are at least 2-3 adults who can help them and provide them the kind of specific and personalized attention they are receiving? Most importantly, this type of collaboration is a catalyst for inquiry work and for integrating more formative kinds of assessments that benefit students and impact learning.
We expect the 1:1 and small group conferences, coaching, and small group instruction to continue the next 7 days of school leading up to our Thanksgiving break. I hope to share more images, video, written/video reflections and feedback from both of us as well as our students in an upcoming post later this month. I’m also thinking about how to better integrate the conferencing/coaching/conversation aspect into the inquiry approach (and at an earlier point in time) with research using Cris Tovani’s conceptualization of these conversations as data and formative assessment (see her text, So What Do They Really Know? Assessment That Informs Teaching and Learning).
How are you approaching assessment with inquiry work? How do you negotiate and embrace the challenges of time and fluidity with this approach to learning and research? How do you scale this kind of learning experience when there are always challenges of time, space, and staffing?
Earlier this week, I ran a short feature on our art gallery inspired by student research. In the video below, Teagan takes a few minutes to discuss her work and the importance of choice in igniting student passion in research/inquiry projects.
This fall, The Unquiet Library has hosted a unique art installation inspired by student research this past spring. Some of you may remember Teagan from this past winter and her unique approach to creating mindmaps. Teagan and her partner Kristiena (whom you may remember as one of my co-authors from this fall for a Knowledge Quest article) created a digital multigenre research composition on veterans and PTSD. Both Teagan and Kristiena were part of a group of students who generously shared their insights and reflections on being immersed in a participatory culture of learning. In their words, they set out to explore “…PTSD, the effects it has on veterans, and how veterans can receive help from this mental illness. It is very important to understand the severity of this undermined illness because without knowing about the organizations that help these veterans, the specific treatments these organizations use, and what we can do as a community to help, we are letting our country’s veterans down.” Their inquiry was inspired by their readings of All Quiet on the Western Front by Erich Maria Remarque, Code Talker by Joseph Bruchac, and Ghosts of War by Ryan Smithson.
Teagan, who is a gifted photographer, decided to create her own original images to depict some of the key ideas and findings from their research and integrate them into the multigenre digital text. I was so struck by the artistry of her work that this fall, I asked her if she would consider letting the library create prints of her work and have a research inspired art gallery. She graciously gave me permission and used excerpts of her research to create informational placards for each print. After we mounted the prints and placards on art easels, we arranged Teagan’s artwork in the sequence she outlined for us so that viewers could follow the narrative of her artistic creations. Students and teachers alike have been impressed not only with her moving and striking photography, but they have also been pleasantly surprised to learn that it was sparked by the information she discovered in her research and that the gallery is an alternative representation of those findings. Not only did Teagan photograph and process the photographs, but she and her father both served as models for the prints.
The research inspired art gallery has not only helped others learn about PTSD and its impact on veterans, but it has also nudged people to see research as something more than an assignment and that it is a mode of learning that can far beyond a class assignment. I am hopeful that future galleries featuring inquiry inspired creative works will be commonplace and can incorporate additional participatory mediums for interacting with the gallery with a feature like panels coated in IdeaPaint where people can respond to the art and ideas. On behalf of the library and our learning community, I would like to thank Teagan for generously sharing her talent and wisdom with us.
As students submitted their research design proposals, both Sarah and I provided them written and verbal feedback through 1:1 conferences as well as the individualized feedback we crafted using mail merge and Word docs. These processes took approximately five days of class; students that were not meeting with us were either moving forward with additional research or starting to craft elements of their projects. One of the tools we gave students to help them manage and organize all the pieces of their projects was this project planner/checklist. I have found over the years that checklists, while seemingly simple, are powerful tools to help students stay organized and on track.
how to register for a free account, how to set up pages for each project element, how to establish a static homepage, and how to craft a customized menu so that the navigation reflected the order of the project pages we had established in the guidelines. We also provided reinforcement for students with video tutorials that we made and published on the project LibGuide. This instruction was probably one of the more intensive days since establishing the project website structure was essential early on for the students and helping them feel comfortable with multiple new skills at once. To their credit, both classes did a fantastic job following our step by step guided instruction and getting their project sites set up. Subsequently, they caught on to skills like editing pages and adding multimedia content very quickly—I was impressed by how they took initiative to self-help and to then show their peers a skill they had taught themselves.
